A Monteverdi Project - Futurity Trilogy Episode 2
| Concept, Directing & Choreography | Saar Magal |
| Musical Director | Haggai Cohen-Milo |
| Music & Composition | Haggai Cohen-Milo, Mateo Lugo, James Shipp |
| Set Design | Saar Magal, Irina Mafli, Sylvia Rieger |
| Costumes | Irina Mafli, Christin Haschke |
| Light Design | Georgi Krüger |
| Video Installation | Pascal Jeker |
| Assistant Choreographer & Rehearsal Manager | Niv Marinberg |
| Dramaturgy | Roman Reeger, Jana Beckmann |
| Singers | Hanna Herfurtner, Olivia Stahn (Sopran), Amélie Saadia (Mezzo Soprano), Benjamin Popson (Tenor), Philipp Mayer (Bass) |
| Dancers |
Adaya Berkovich, Sadagyul Mamedova, |
| Production Manager | Kaja Wiedamann |
| Director's Assistant | Dirk Girschik |
| Set and Props Assistant | Elif Norris |
| Production Assistant | Judith Kubeile |
| Technical Director | Linda Günther |
| Production Photographer | Efrat Mazor |
| Production Filmaker | Lucy Martens, Sebastian Funke |
A production of STAATSOPER UNTER DEN LINDEN
Premiered at the APOLLOSAAL, STAATSOPER UNTER DEN LINDEN, November 2018
A DANCE / THEATRE PERFORMANCE by Saar Magal BASED ON MUSIC by Claudio Monteverdi
A production of STAATSOPER UNTER DEN LINDEN
Premiered at the APOLLOSAAL, STAATSOPER UNTER DEN LINDEN, November 2018
Staatsoper Unter Den Linden website links:
https://www.staatsoper-berlin.de/en/veranstaltungen/a-monteverdi-project.2770/
https://blog.staatsoper-berlin.de/liebe-als-kriegschauplatz-im-gespraech-mit-saar-magal/
In a variety of aesthetic and scientific formats, the Israeli director and choreographer Saar Magal addresses love, eroticism and human relationships, exploring their potential developments in a future shaped by the influence of new technologies, post-humanism and the Anthropocene era. In the Anthropocene, human history converges with geological and biological processes as humanity becomes a significant factor influencing the earth and its own physical alteration. How can this convergence be assimilated by bodily subjects? How can it be conveyed artistically so that it gets under our individual and collective skin? How can the prospect of our own transformation be translated into the present, into the texture of lived experience?
By observing and grappling with images of pairs of lovers from history, in this dance and theatre performance Magal raises the question of how old myths and narratives shape our mental picture of the future. In this context, the late works of Claudio Monteverdi (1567-1643) become a major source of inspiration – as an expression of archetypal perspectives on love, desire and human nature, which have continued to influence our aesthetic perception to this day.